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The nation of Wales is our stage:

From forests to beaches, from aircraft hangars to post-industrial towns, village halls to nightclubs.

We bring together storytelling poets, visual visionaries and inventors of ideas. We collaborate with artists, audiences, communities and companies to create theatre in the English language, rooted in Wales, with an international reach.

You’ll find us around the corner, across the mountain and in your digital backyard.

National Theatre Wales has been making English-language productions in locations all over Wales, the UK, internationally and online since March 2010.

We operate from a small base in Cardiff’s city centre, but we work all over the country, and beyond, using Wales’ rich and diverse landscape, its towns, cities and villages, its incredible stories and rich talent as our inspiration.

Our audiences have followed us and Michael Sheen like disciples around his hometown, Port Talbot, to watch The Passion. Some partied with Neon Neon (Gruff Rhys & Boom Bip) in Cardiff, learning the extraordinary story of Italian publisher Giangiacomo Feltrinelli, in Praxis Makes Perfect. Hundreds climbed the foothills of Snowdon to hear poems by the national poet of Wales, Gillian Clarke and witness first-hand the annual sheep-gathering. Others donned wellies to experience Mametz, written by poet Owen Sheers and staged in farmland near Usk, and which offered a chilling glimpse of life and death in a WWI trench. And some joined us online in their pyjamas for Tim Price’s award-winning The Radicalisation of Manning, and learned about a boy from Pembrokeshire who grew to be one of the world’s most influential and divisive political figures, while chatting with other audience members all over the world.

These are just some of the nearly 40 productions we’ve staged on trains, military training grounds, beaches and mountains, in warehouses, nightclubs, tents, village halls, schools, aircraft hangars and libraries, all over towns like Barmouth, Laugharne and Aberystwyth, and in cities from Swansea to Tokyo.

The productions we make are just the tip of the iceberg. Scroll down to read more about our work and how you could get involved - as an artist, a writer, a passionate member of your own community, part of our team or as an audience member…

National Theatre Wales is international in its outlook and is collaborating with a wide range of artists and companies world-wide. We also reflect the many cultures and languages of contemporary Wales.

In its first years, international companies who have made new work for NTW included Rimini Protokoll with Outdoors and Constanza Macras/Dorky Park with Branches: The Nature of Crisis. National Theatre Wales has also invited a number of companies and artists from other parts of the UK to work with us in Wales, including Told by an Idiot, Fevered Sleep and Hide and Seek.

In 2013, NTW created its first work in an international location, with The Opportunity of Efficiency at the New National Theatre, Tokyo. The production was accompanied by a wide range of residency work by National Theatre Wales, including our first international Assembly.

The company started to present its work internationally at the Edinburgh festival in 2011 and has also presented work in London and Berlin


Our commitment to Wales extends beyond its venues, communities and talent, to its future. Every decision we make, be it in programming, production, communications, or administration, is put through a rigorous sustainability test.

We mostly work out of a small office in Cardiff, so it is relatively easy to manage our day-to-day impact; our staff are encouraged to cycle or walk to work, we use public transport as a priority when travelling around the country, and plan each journey carefully when we have to use vehicles to minimise our impact. We recycle and reuse as much material as possible, and only use environmentally appropriate cleaning products.

Meanwhile, we are exploring ways to improve our impact on the environment in terms of our productions. For example, the future use of the sets and equipment informs our decisions when planning a production. We don’t own equipment or facilities of our own, but share assets with other companies and artists. In 2014, we were able to repurpose 90% of our show materials; a good start, but the aim is to reach 100%.

In short, we have three key phrases that we use in planning and executing our work:

Plan more carefully

Share more often

Talk to more people

If you’ve any feedback or ideas on how we, our artists and audiences can work together to be more environmentally responsible, please contact David Evans, Head of Production, at

National Theatre Wales works with artists at all stages of their development ranging from internationally renowned theatre makers to individuals at the very start of their artistic lives.

There is a range of different ways that you can engage with the company, and we are always interested in hearing your ideas. In general we work with Welsh and Wales-based artists, or artists who have an interest in Wales and our way of working. Opportunities for artists include:

All year round:

At certain points in the year:

Hello I'm Fiona Curtis
I'm Production Coordinator

Hi, I’m Fiona, the Production Coordinator.

I jumped into the world of Production and Stage Management in 2009 after I completed an Apprenticeship at Hope Street Ltd’s ‘Emerging Artists Programme’ in Liverpool. My time there was spent managing several site-specific productions, in locations varying from beaches to museums.

My passion for creating and making theatre in unusual and challenging spaces has continued over my years as a Company Stage Manager. I have toured Nationally and Internationally so I think I have a broad understanding of what is needed to effectively stage productions.

I am delighted to join the Production Department at NTW after working on many Productions and Assembly’s over the years, since NTW02 ‘Shelf Life’ in 2010.


Hello, I'm Phil George
I am the Chair

Phil is the Co-Founder and Co-Creative Director of BAFTA award-winning television production company, Green Bay Media Ltd in Cardiff. Phil was educated at Porth County Grammar School before going on to read English at Oxford University. Formerly Head of Arts, Music and Features at BBC Wales, Phil was appointed as the first Chair of NTW by the Welsh Government in 2007. He has an Honorary Doctorate from the University of Glamorgan and received an Inspire Wales award in 2011.

This is our Welsh Language Scheme, as approved by the Welsh Language Commissioner on 07/07/2014.
View the Welsh Language Scheme here:


National Theatre Wales is seeking to appoint an experienced, highly motivated and energetic individual for the following vacancy.

Education TEAM Assistant (part-time, fixed-term)

This post is a 10-month contract, at 2 days per week and will be responsible for delivering our new manifesto to develop an NTW approach to education.
Salary: £21,000 pro rata

We are an equal opportunities employer and welcome applications from all backgrounds

Deadline: Wednesday 8th April, 1pm
Interviews: Tuesday 21st April, Cardiff

Pop in for a pot of tea and a homemade Welsh cake?

National Theatre Wales

30 Castle Arcade
Cardiff/CF10 1BW

Contact us with a general enquiry?
+44 (0)29 2035 3070

Be the first to hear about opportunities, projects or casting calls?

The National Theatre Wales Online Community is a space where people passionate about theatre can come together to discuss, debate and collaborate. Join a community of over 5000 members who are sharing opportunities and shaping the future of theatre in Wales and beyond.


Everywhere we go we collaborate with and support an ever-growing network of TEAM members.

These are the people who play a part in everything we do, giving us a truly international reach.

They are our leaders in their communities: they create, inspire, perform, teach, write, organise, run projects, give feedback and make decisions with us on the future of National Theatre Wales.


Join TEAM 

For more information on TEAM, please email our TEAM assistant Laura

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