The nation of Wales is our stage:
From forests to beaches, from aircraft hangars to post-industrial towns, village halls to nightclubs.
We bring together storytelling poets, visual visionaries and inventors of ideas. We collaborate with artists, audiences, communities and companies to create theatre in the English language, rooted in Wales, with an international reach.
You’ll find us around the corner, across the mountain and in your digital backyard.
Our audiences have followed us and Michael Sheen like disciples around his hometown, Port Talbot, to watch The Passion. They've partied with Neon Neon (Gruff Rhys & Boom Bip) in Cardiff, learning the extraordinary story of Italian publisher Giangiacomo Feltrinelli, in Praxis Makes Perfect. Hundreds climbed the foothills of Snowdon to hear poems by the National Poet of Wales, Gillian Clarke and witness first-hand the annual sheep-gathering. Many watched a marathon, overnight performance of Iliad in Llanelli. Others donned boots to experience Mametz, written by poet Owen Sheers and staged in farmland near Usk, and which offered a chilling glimpse of life and death in a WWI trench. And thousands in their pyjamas joined us online for Tim Price’s award-winning The Radicalisation of Bradley Manning: learning about a teenager in Pembrokeshire who grew to be one of the world’s most influential and divisive political figures, while chatting with other audience members in over 50 countries across the globe.
These are just some of the nearly 40 productions we’ve staged on trains, military training grounds, beaches and mountains, in warehouses, nightclubs, tents, village halls, schools, aircraft hangars and libraries, all over towns like Barmouth, Laugharne and Aberystwyth, and in cities from Swansea to Tokyo.
The productions we make are just the tip of the iceberg. Scroll down to read more about our work and how you could get involved - as an artist, a writer, a passionate member of your own community, part of our team or as an audience member…
• Wales’ English-language national theatre
• Non-building based (making work across Wales and beyond...)
• that is site-located (e.g. on beaches, in forests, in village halls, on mountains and across whole towns, but sometimes in theatres too!)
• that is digitally innovative, including live-streaming and gaming, alongside an online community of more than 6,500 members
• with internationally-renowned artists and companies (e.g. Michael Sheen, Gruff Rhys, Frantic Assembly)
• and always with – not just for - communities (esp. through TEAM, our 600-strong network of individuals with a passion for the arts)
Sisters - Sisters will be a brand new, contemporary work, co-created by NTW and India's Junoon Theatre, imagined by a group of female artists from India and Wales where histories are intrinsically linked.
The Opportunity of Efficiency - a brand new play responding to the nuclear power crisis in Japan, commissioned from NTW by the New National Theatre in Tokyo, written by Welsh playwright Alan Harris and directed by John E McGrath, premiering in a Japanese translation in Tokyo. Alongside the production, NTW brought its unique programme of debates and artist residencies to Japan. WalesLab - NTW's signature artist development programme has worked with artists from Korea, Australia, Japan and Europe, supporting their work in the Welsh landscape and introducing them to new collaborations.
All year round:
At certain points in the year:
I am the
Head of Finance
Hello there. My name is Steve Grant, and I am Head of Finance at National Theatre Wales. A qualified accountant (CPFA), with a BSc (Econ) honours degree in Accountancy from Cardiff University, I’ve been with National Theatre Wales since early 2011.
Born and bred in Cardiff, I am an experienced financial manager, with a track record of achieving improvements in performance and leading the implementation of major technical accounting projects, and the development financial policies, professional networks and training. As a founding member of CIPFA’s Local Government Accounting Panel for Wales, I’ve also developed accounting standards.
Before joining NTW, most of my previous career was spent in local government, most recently as a Chief Accountant for 7 years. Worryingly, of the three authorities that I worked for, only one still exists!
After a career in local government, joining NTW was a cultural leap, but an experience I’ve enjoyed greatly. Being part of such a flexible organisation, that allows individuals the freedom to innovate and to develop, alongside the company, in meeting the exciting challenges facing it during the early stages of its existence, has been a real pleasure. So has been working with such inspirationally creative talents.
I am a
Bethan is a Deputy Fund Manager with Finance Wales Investments where she’s held a number of roles since training as a Chartered Accountant with PricewaterhouseCoopers in Cardiff.
Bethan has led a number of investments into Wales-based media businesses including production companies within TV, animation, PR and digital agencies. As Fund Manager for the Wales Creative IP Fund, she worked with a specialist independent investment committee and directly invested over £12m into 43 co-productions generating economic benefit to the Welsh media sector. Bethan brings to the board an excellent insight into the challenges of growing businesses across a diverse range of sectors and scales.
Bethan lives in Penarth with her young family, she loves to travel and to sing, she has a passion for the performing arts and for innovation in the Welsh tradition of storytelling.
This is our Welsh Language Scheme, as approved by the Welsh Language Commissioner on 07/07/2014.
View the Welsh Language Scheme below
Our Welsh Language Standards are available below
Casting calls for actors are not posted on this page, but are available in the Actors Group on our online Community.
To keep up to date with current projects and opportunities, join the National Theatre Wales Community
National Theatre Wales is seeking a dynamic
Executive Producer (Maternity Cover)
The engagement will commence from November 2017 and will oversee the management and successful delivery of Kully Thiarai's, NTW's new Artistic Director/CEO, first ambitious full programme of work during 2018.
Please send a CV and covering letter detailing your suitability for the role, specifically addressing the Essential and Desirable criteria within the Person Specification. (Flexible, Freelance, Part-time or Full-time terms will be considered) along with an Equal Opportunities Form to email@example.com
We are an equal opportunities employer and welcome applications from all backgrounds. Applications can be received in English or Welsh.
Deadline: Friday 1st September, 1pm
Interviews: Monday 18th September
Please download the job description and Equal Opportunities form from below
029 2037 1689
Please note: If you choose 'Hold at Box Office' when buying tickets, the box office will be situated at the performance venue from the first night of the show. Please don't come to the NTW office in Castle Arcade, as we cannot give out tickets from here.
National Theatre Wales
30 Castle Arcade
Cardiff / CF10 1BW
Contact us with a general enquiry
Be the first to hear about opportunities, projects or casting calls
The National Theatre Wales Online Community is a space where people passionate about theatre can come together to discuss, debate and collaborate. Join a community of over 5000 members who are sharing opportunities and shaping the future of theatre in Wales and beyond.
Everywhere we go we collaborate with and support an ever-growing network of TEAM members.
These are the people who play a part in everything we do, giving us a truly international reach.
They are our leaders in their communities: they create, inspire, perform, teach, write, organise, run projects, give feedback and make decisions with us on the future of National Theatre Wales.
For more information on TEAM, please email firstname.lastname@example.org